KCAI Blogs

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Fun with Crowdfunding

calderkamin @ January 27, 2012

Crowdfunding is an amazing way to fund your next project by professionally asking your community for financial support through an online sponsor. In an earlier post on the KCAI Case Study, Matt Jacobs, BFA Sculpture ’10, wrote about his experience using KickStarter see here to fund his residency in Iceland.

There are additional sites similar to KickStarter, but can also offer tax incentives for your supporter!
Go Fund Me http://www.gofundme.com/
Rocket Hub http://rockethub.com/
Pledge Music http://www.pledgemusic.com/
Indie Go Go http://www.indiegogo.com/



Street Sign Sounds Sketch

Paul Shortt @

SX. Project 1, Poetic. Monument, Calligraphy.

Ian Arthur Spaeth @ January 26, 2012
Bethany and I would like to recognize the elegance and emotion of calligraphy. We have identified a few characteristics associated with calligraphy that will help direct our form. These include; motion, strokes, ink, texture, content, and special attention to curves and angles. The location should inform the history. Because there are a number of different histories (arabic, chinese, german, etc...) we would like to choose one and focus on it's individual the qualities and meaning.

We want to focus on the movement within the restriction of German Blackletter. Here, the characters are disciplined yet fluid and spontaneous (much like Rococo Architecture :) We also want to show the fragility and the importance of the paper. We're thinking Nuremberg, Germany for the installation location...

cal·lig·ra·phy  [kuh-lig-ruh-fee]
noun


3.
the art of writing beautifully: He studied calligraphy when he was a young man.
5.
Fine Artsline or a group of lines either derived from or-resembling letter forms andcharacterized by qualities usually associated with cursive writing, especially that produced with a brush or pen.

Here's What We Have Looked At











German architecture as influence for the structure of our monument.


Look over on Bethany's blog to see some imagery, and also this collection over on my Gimme Bar that doesn't have very many photos now, but will grow over time.


Long day sketch page

Brandon Waltman @
Applied to about a billion jobs today. Took a break and did some concept sketches for an idea that's throwing me out of my comfort zone a bit.


Kestrel Rescue

calderkamin @ January 25, 2012
Yesterday, I discovered a female Kestrel in need.
She was stunned from impact with a wall of plexiglass on a sheltered bus stop in downtown Kansas City. When I first checked on her, she was only lightly breathing, and it looked like she was in for the worst, but when I returned, the Kestrel had the strength to pick herself up.
What started out as an intent to sculpt a memorial likeness became an animal rescue mission!
My next step was to get the Kestrel to shelter and contact an injured wildlife service. It was after hours for everybody, but OWL: Operation Wildlife’s voicemail instructed me on how to get the Kestrel through the night: keep it warm, in a quite spot, and do not feed. This morning she was showing progress by actively rustling in her container, but the news came that I could not take the animal across state line to OWL’s Kansas facility. The Likeside Nature Center was able to rush to her attention, and was willing to notify me of the progress. This afternoon, the director contacted me that if the Kestrel survives they would likely release her were I found her, and that I could be a part of that experience. Birds are such fragile creatures. The reality is 50/50, but my entire family awaits the news.
Upon leaving the nature center I almost hit a pit bull puppy that ran out into road, and watched her continue to tear out in front of traffic. With my newly appointed ‘animal rescuer’ status I pulled over, called her to hop into my truck bed, and went looking for the owner. I was able to successfully drop her off in her front yard with someone available to watch her. I promised Kurt I would not bring home dogs.


Pro Practice. Career Goals and Strategy for Getting There.

Ian Arthur Spaeth @ January 24, 2012
My passion is information architecture, user experience, and interaction design, and my ideal job would be designing for the digital space. I've known this for quite sometime without realizing it. But the type of information design that I tend to lean towards is less Propaganda 3, and more iA. I love clarity and understanding, and of course there is all of that in Prop3's work, but the aesthetics and choices aren't really up my alley. Of course, in the work Prop3 does, the aesthetic makes sense and is conceptually sound. But in everything I do, I crave order and reason with a splash of flare, including my design. I appreciate design where the content is the main focus with the design supporting it and enhancing it. "Clean" or "minimal" isn't always the answer, but clarity is. Though it seems that I always default back to "clean and simple" (hell I'm typing this post in iA Writer, what's simpler than that?), it's clarity and understanding of content that I'm striving for.

How am I going to get to this type of job?
I plan on using networking, researching, writing, and quite honestly, Twitter(and other social media outlets).

            I've already been in direct contact with some bigger-ish names in the design/news field through Twitter. That's why twitter is so awesome, it's direct and fast connection to people that we never had that type of access to before. Use Twitter well, it can help open up doors and start conversations between you and people you admire and look up to. But no, Twitter isn't everything because not everyone has it, but it's a helpful tool to use and harness. There are also other social media outlets that work well, and for someone who is interested in social media, embracing them is smart.
            I've also started researching what companies and people are out there that are doing what I want to do. I don't know what setting I prefer yet, whether it's more of a design firm, or something more specific like an in-house team at a company, or even possibly a startup of some sort. But if I can find a place that is in the realm of my interests, contact will be made somehow.
            But something that will help me both get in contact with people and initiate conversation with them is writing. I've already been doing this over the winter break and really loved it. It was over social media, news, and design, topics that really intrigues me and gets my creativeness in overdrive. Thoughts and ideas are, at times, more important than actual design work. If you have interesting and thought-provoking ideas, people will take note. But ideas and writings don't have to be ground breaking, the fact that you are typing up your ideas and publishing them to a space that people can readily access is great in itself. It shows that you have ideas flowing in your brain and that you want to share them, plus it can also show off your mad writing skillz (but even if you don't have them yet, the more you write, the madder they'll become). So being articulate on the subjects that I'm interested in is important to me. It helps me talk about them easier and with more confidence, and helps break the nervousness I get when talking about my personal ideas and stances.
            All of these things together are how I plan on getting where I want to go. This is all coupled with putting myself out there and contacting/pursuing companies and people that I am interested in.

Barkley is Hiring!

Erin @ January 23, 2012

Great ideas in design can make a brand irreplaceable. We’re looking for an idea generator and problem solver who knows how to bring exceptional design to life.



Responsibilities: 


  • Learn quickly and accurately the client’s business and creative needs
  • Brainstorm, develop, and execute a wide variety of communication pieces, including brochures, packaging, point of purchase, direct mail, identity, in-store, websites and more.
  • Work directly with writers, design leads, creative directors, and account management to complete work on time and in line with the creative brief
  • Create tight and accurate files for production.
Review work for accuracy by e-proof, physical proof, and at press checks
Requirements: 


  • 3 or more years industry experience preferred
Exceptional type and layout skills

  • Superior understanding of color, typography, illustration, and photography trends
  • Familiarity with letterpress and capability to design for it

  • Great understanding of visual communication trends
  • Organized with a sharp attention to detail
Self-starter who manages time and tight deadlines with a great attitude
  • Ability to communicate clearly with design management, account service, other designers, and clients about your work

  • Skilled knowledge of Photoshop, Illustrator, Acrobat, Bridge and InDesign is essential 

  • Must be qualified in Illustration
  • Print production knowledge and experience 
Ability to add conceptual thinking to a design
Interactive design experience would be preferred

  • Experience with branding & identity work would be preferred
  • Experience with point of purchase design work a plus


Please forward a resume, cover letter and work samples for consideration to tthornhill@barkleyus.com.  We will be in contact with you if your qualifications meet our needs.

ThorstenCoo Productions: Blah Blah Blah

Liz Van Verth @


For more work visit: ThorstenCoo Productions

ArtCorps Opportunity

Erin @
ArtCorps is an organization that uses the arts to advance social change in developing countries by sending artists to Central America to support environmental, public health and human rights initiatives. 


ArtCorps is accepting applications for June 2012 placements in Belize, El Salvador, Guatemala and Honduras. During the one- to two-year placements, artists use murals, theater, stories, puppetry and other creative facilitation techniques to educate and inspire people to participate actively in improving their communities. 


The application deadline is Feb. 15. For more information and to apply, visit http://artcorp.org/pages/pageinfo/80.

Heineken Contest

Erin @
Heineken invites graphic design concepts for a limited edition bottle that will be produced in 2013 to mark the company’s 140th anniversary. 


Using design tools provided on Heinekens Facebook page, participants must connect their design concept with that of a complete stranger to create a joint entry as a virtual design duo. The design can incorporate illustration, photography, graphics or anything else, according to the company. “Through social connectivity, this opens up a dynamic arena of design possibilities, one of which will become the chosen future bottle in Heinekens collection of classics,” a company spokesperson said. 


The winning design will be selected by a panel of judges including Evan Orensten, co-founder and executive editor of Cool Hunting; Mark Dytham, co-founder of global creative network PechaKucha; and Mark van Iterson, global head of design at Heineken. The winners’ names will appear on the bottle. 


To get involved, visit http://yourfuturebottle.com. The Twitter hashtag is #yourfuturebottle. The deadline for entries is Jan. 31.

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